robbies: (pic#14482928)
TRANQUILIZERS ([personal profile] robbies) wrote in [community profile] memesville2021-01-08 05:10 pm
Entry tags:

TDM - JANUARY 2021


TEST DRIVE MEME - JANUARY 2021

Good to the last gasp.
CW: gaslighting, potential mentions and depictions of trauma and other problematic material, body horror, dolls, violence


“Help me. Please, help me…”

A child’s voice, calling out for aid. There’s no rhyme or reason for when it comes to you. It’s so quiet, a whisper in the deepest, darkest corners of your mind. Were it not for the sharp, stabbing pain it pulls out of you, you could ignore it. You could even pretend it’s just your imagination.

It all happens so quickly and powerfully. Left in the dust, your brain struggles to process it all. Blacking out is the least it can do, but it’s also all it can do, and it does so before you even have a chance to fully register just how young the voice is, and how deeply, heartbreakingly lost it sounds.

When you finally awaken with your bare feet tangled in soft sheets, a layer of fuzzy fleece or slinky silk clinging to your body like another layer of skin, the sunlight pouring in from the window next to your bed momentarily blinding you, and the cries of happy children playing outside of it carrying faintly, it all becomes very clear—

Something is horribly wrong.

JANUARY 1st.

It becomes very clear very quickly that this isn’t a simple kidnapping.

  • If you’re twenty years old or older, the bedroom you wake up in is very clearly a couple’s bedroom — with separate beds like a modest, modern couple of course! A similarly lost and confused stranger is in the other. They are your counterpart, for everything in this room has a matching counterpart — the nightstand and lamp each of you have beside your beds, the framed pictures on the wall, even your pajamas.
  • If you’re under twenty years old, your room is smaller but more personalized, filled with comic books, model kits, stray baseball cards littered around the floor. Dolls, fashion magazines of people dressed from a bygone era, stacks of vinyl records neatly arranged next to a record player.
And then there are the pictures. They’re everywhere in the house — in a frame on your nightstand, hung on the walls, stuck in the photo albums and scrapbooks lying on your desk or tucked away in drawers. Here you are on your wedding day, exchanging vows with your partner. Here’s you sitting in a fishing boat with one of the younger members of your house. Here’s a picture of you at ten years old getting ready for the first day of school. All of the photographs are aged, sepia, even yellowed and dusty in frames hung for a long, long time.

By the time you make it down to the living room, you’ll notice that the television is on; someone must have forgotten to turn it off before they went to bed. On it, the morning news is playing. The newscaster, a man in a gray suit and horn-rimmed glasses, keeps shuffling his paperwork on his desk as black and white footage of people in the midst of celebration — throwing streamers, wearing paper hats, toasting flutes of bubbly liquid — is interspersed between his droning report:

”New Year's Eve was in full swing last night as citizens from all over Santa Rosita came together to ring in 1961. A surge in ginger ale and sparkling cider beverage sales was reported by Honeybees as early as eight o'clock in the evening, a boon for the store…“


GETTING TO KNOW THE NEIGHBORS.

As you get acclimated, you gradually begin to learn more about this strange new world you’ve found yourself in. You’re in a neighborhood on the east side of a town called Santa Rosita located… somewhere in California (wherever or whatever that might be). The year is 1961.

If it wasn’t clear enough, your neighbors are more than willing to humor you if you ask. Even if you accost them with questions and demands. Sure, you and your family are a little kooky, and you have a very overactive imagination, but the key to any good joke is playing along! And how could something like “I’m from the future, from another world” be anything but a joke?

A. CLOWN AROUND.

If December was a time for sweet treats and good food, January is the month where everyone is trying to unload their leftovers. Who better to enjoy them than you, the newest family on the block? Your neighbors have quite a bit of food to share: Throughout the month, they'll stop by to say hello, bringing a new sugary dish with them each time. As always, jello molds are a staple. One plate turns into three turns into five, and by the end of the first week of January, you're likely to end up with a collection of jiggling pink, green, and orange lumps taking up space in your fridge. From mountains of Whip 'n Chill to Broken Window Glass cake, you'd be forgiven in thinking that there's no end to it.

And yet, there's the occasional exception. Someone comes by with a Bundt cake lathered in vanilla icing and topped with rainbow sprinkles. Were it not for the giant candy clown head topping it, it would almost look good enough to eat. "There's a rumor going around that you've been a bit under the weather, so I thought this would cheer you up!" they say, right before thrusting the technicolor nightmare into your hands, the clown's dead pink frosted eyes staring up at you.

Your neighbor is quick to tell you to eat it while the icing is still fresh (you never know who might lick it off when you're not looking, eh kids?), but not that the clown itself is made out of styrofoam. That's something you'll just have to find out for yourself when you take it back inside and start chowing down!

B. SNOW DAY

What awakens you one cold Friday morning isn't the blare of your alarm clock or your family getting ready to start their day or even the chilly air that tickles your toes as they poke out from the bottom of your covers, but the sound of hooting and hollering outside your window. The sight that awaits you when you go to investigate is something out of a Norman Rockwell painting: The entire neighborhood is outside, playing and carrying on in the snow. While everyone was sleeping, Santa Rosita got four inches of snow, more than enough for the schools to close but not enough to stop everyone from enjoying it.

And enjoy it they are! Children build snowmen in their front yards while their fathers work on shoveling their driveways. Most, however, are busy erecting snow forts in their yards and the middle of the street, running back and forth as they collect ammunition for an ongoing snowball fight that takes up half of the neighborhood. Nobody is spared from their assault, not even the adults, and especially not the newly arrived ones who leave the house. Good luck getting the mail, mom and dad!

"Come on! There's plenty of snow!" one young boy yells at you over a snowdrift. "You can join my team!"

"Nuh-uh!" another boy shoots back. "You can join my team!"

And on and on it goes. Well, for the pacifists among you, making snow angels is always an option!


THROUGHOUT JANUARY.

CW: gaslighting, potential mentions and depictions of trauma, and other problematic material

There’s no business like show business! And business is hopping at the Starlight Drive-In, which has been boasting about its all-new film premiering on January 2nd and playing all month long. The critics are raving, the townspeople are flocking, and plans to go to the drive-in seems to be all anyone can talk about. “Make sure you get there early to see the serials,” many of them suggest, eyes wide with excitement. “I couldn’t look away!”

Whether you come with your family, your friends, or simply come on your own, the lot is packed, Robbies and normal townsfolk alike beaming as they hook the individual speakers onto their cars. Apropos of the cold weather, the concession stand has added seasonal items to their menu, serving up hot chocolate and kettle corn in addition to its usual soda and popcorn. Watching a movie against a backdrop of gently falling snow while you're sipping on steaming chocolate and melted marshmallows has a certain je nais se quoi to it that even you have to admit is appealing.

At last, when it's finally dark enough to start, the projector clicks on from the booth in the back of the lot and the movie begins.

A. COMING ATTRACTIONS.

The movie, Curse of the Doll People, is a horror flick. A real chill-o-rama, starring actors you've never heard of playing a group of archeologists who unknowingly trigger a deadly curse that sets a group of murderous living dolls upon them. The poster pasted on the ticket booth promises it'll be the most fun you'll have screaming. Unfortunately, you have to sit through several minutes of previews first.

The coming attractions aren't anything special — a bunch of westerns, a romance, even a beach musical. Far from being bored to tears like you might be, the people in the cars around you are glued to the screen, popping snacks into their mouths and whispering their commentary among themselves. The movie is the reason why everyone's here, sure, but you don't just get one flick out of going to the pictures! There's also the serials, little 5—10 minute long chapter plays that tell a story in pieces. Nothing can beat those, and when the first one starts, everyone sits in rapt attention as if it were the feature presentation itself.

But as the scene opens up on a sight that is instantly familiar to you, and your own face stares back at you from the projection screen, it becomes clear that this is no ordinary film.

You watch your memories play out in grainy black and white footage, aired for all the world to see. Or perhaps not — though you may not realize it, the movie playing out on the screen differs from person to person. No one sees the same thing. The person next to you might see one of their worst fears come to life, whether imagined or real, practical or fantastic. You might see one of the worst moments of your life — the death of a friend, your hated enemy bringing you to the brink of death, your absolute lowest point — exactly the way you remember it... save for the way your double on the screen occasionally turns to face the audience, staring directly at you with a knowing smirk and a wink. Or the way your loved ones will sometimes go off-script, gazing at you with pleading eyes as they beg you to help them.

The people of Santa Rosita will see an exciting battle between two pirate ships, swashbuckling and cannon fire in place of the traumas you're witnessing. When the serial ends on a cliffhanger, much to the disappointment of everyone around you, it's almost a mercy.

"Tune in next week for the thrilling second part!" Well, you will, won't you?


END OF THE MONTH.

CW: body horror, dolls, violence

Aside from the horror of the drive-in, January might seem to be passing calmly... until one night, something changes. In the middle of the night, once you fall asleep in your comfortable bed (or on your couch, or with your head lolling against the kitchen table), a nightmare comes to you. The shift from whatever dreams you were having to the cold, dark void you find yourself standing in happens gradually and quietly. So too does the image that plays out in your mind's eye:

From out of the darkness, a featureless mannequin stands ramrod straight, facing you with its arms pressed rigidly to its sides. It has no face, no identifying marks, no features at all. It's a blank slate in every sense of the word... until it isn't. Slowly, the material of the lower half of its face begins to split as a searing pain tears through your own, as if invisible fingers are ripping your lips off inch by inch. The slit on the doll's face widens and deepens until, finally, mercifully, its new mouth opens as yours disappears, replaced by a flat, smooth barrier of skin. Like it was never there to begin with.

The pain returns, this time in your arms and neck — right as the doll's own begin to jerk. Your joints are hardening, seizing up as the doll's arms go from minutely twitching to slowly flexing. While every nerve and bone from your fingertips all the way up to your shoulders grows heavy, the doll tilts its head and looks down at its hands, as if seeing them for the first time. By the time it takes its first step, you've taken your last: the pain has spread to your feet, ankles and toes hardening and locking into place.

Every part of you is claimed this way; what isn't taken by force simply fades from your body and shifts into being onto the doll's, your skin replacing its cloth body, your clothing dressing it, your hair filling out its head. Your tongue goes numb as the licks its newfound lips, coarse cloth and batting surging up from your lungs and all the way to the back of your throat. By the time it's over, you can't move. You can no longer breathe. All you can do is stare at the perfect, eyeless double of yourself standing before you.

As your eyes begin to burn, the last thing you see before everything goes black is the sly curve of a smile — your smile — before the face wearing it turns away and walks back into the darkness.

Luckily, you wake up to a room full of sunshine and the distant sound of traffic as the neighborhood gets ready for another beautiful day. The morning air feels cold and dry on your skin. You're you. As much as you've always been.

Right?

A. DOPPELGANGER.

It's the kind of morning that makes you want to sing. Where the sky was once dull and grey, it's now a deep blue. Barring the usual hustle and bustle on the streets of Shadyside, the first sound that greets you when you wake up is the steady beat of water trickling outside your window as the snow begins to gently melt under the rays of the sun. You may even hear the chirp of a bird! January, in all its dreariness, is nearly at an end.

When you leave the room to go downstairs — or upstairs, if you slept in the living room — the house is quiet and flooded with sunlight. With how perfectly silent everything is, it's easy to mistake the calm for solitude and think you're alone.

This is not the case.

Waiting to greet you is a familiar figure. If you go downstairs, you'll see it sitting in your kitchen with its head bowed and its arms hanging limply at its sides; if upstairs, lying in your bed on its back. There's no mistaking who it is. Even at a distance, their hair, face, clothes and features all instantly recognizable, and you know who it is before you even fully register their presence:

You.

Motionless, your doppelganger looks more puppet than person. Its chest is still, not a single breath leaving its mouth. Its eyes are closed. They snap open when you get closer to it, wide enough to see the whites, as its head jerks up to look straight at you. In a staccato imitation of your voice, it chirps at you:

"Hi!"
"Good morning!"
"Hello!"
"Rise and shine!"

Your clone is a good imitation, but not a perfect one. Its movements are stiff and uncoordinated, like a marionette being commanded by unseen strings. Though its cheeks are rosy, its skin is pale and almost glossy with the texture of newly polished porcelain. None of these setbacks bother it in the very least. If left alone, it goes about the house mimicking your morning routine, though given how awkward just walking is for it, it's almost certain to do a very bad job. Still, it tries its hardest, following you all day around the neighborhood, trying to imitate your movements — all with a smile!

That is, until you become aggressive with it.

It doesn't take much to set your doppelganger off — a simple shove will do it. When that happens, its eyes will do the impossible and open even wider, its mouth yawning into a wail that pitches louder and louder. That's the point when it will lunge at you. Its hands will try to go for your throat, but not always. It's resourceful enough to improvise with whatever it has around it, whether that be a kitchen knife, a paperweight, or even a letter opener. Luckily for you, they're fragile. Just hitting them is enough to crack and chip away at their skin. With enough strength, their limbs can even come off. Unluckily, they don't stay down for long; even a severed appendage can be popped back into its proper ball-jointed place.

All the while, they never stop childishly whining and shrieking at you.

"Not nice!"
"Why are you so mean?!"
"Not nice, not nice, NOT NICE!"

The only way to shut them up for good is to keep pummeling them until they're nothing but a pile of doll parts. But be thorough — even a mouth that's nothing but a shard of porcelain can still talk.


OOC INFO

Hello, and welcome to We're Still Here's second TDM! Here's a few things we'd like you to keep in mind:

The TDM is canon. You can treat this as the game's first real event and pick and choose what threads you would like your character to remember when they enter the game. For characters who app into the game, the events of the TDM will be treated like a dream. Upon awakening from it, characters will find that time has jumped ahead to February 1st. You may also feel free to use similar reality and/or time distortions to explain why the family members your characters have in the TDM aren't the same as the ones they may be assigned to in the game proper. Additionally, starting today comments made to the TDM will now count towards Activity Check. Current players are permitted to use up to five comments from it for this month's Activity Check — half of the required amount to pass. The other five must be made within the game's communities.

If you would like to have January or other winter-themed content in your relaxed housing prompts, please feel free! You are not beholden to follow our prompts exactly so long as the spirit is maintained.

There is no Network prompt listed, but feel free to wildcard one for your characters anyway.

Although the TDM is canon in the sense that characters are free to remember its events when they app into the game, it does not count as an official plot heavy event, meaning that characters will not receive regains from participating in it.

A note about the drive-in theater: Players are in full control over what memories, phobias, or fears the serials before the movie will depict. You can also specify whether or not other characters will be able to see your character's serial. Be sure to label your threads with relevant content warnings if needed!

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sweariff: (sheriff ⭐️ 12466967)

bigby wolf (the wolf among us)

[personal profile] sweariff 2021-01-09 05:33 am (UTC)(link)
i. arrival
[Funnily enough, it's not the absence of the sound of city life in all its congested, noisy glory outside his window that alerts Bigby that something is terribly, horribly, and yes, stupidly wrong. Nor is it the snoring coming from the bed across from his, or the feeling of fleece rubbing against his skin, a sensation as alien as it is unfamiliar and ten times more uncomfortable than lying in a stiff armchair like the one he fell asleep in last night.

Instead, it's a knock at the door.

Mattress springs creaking as he jolts upright, Bigby looks around the room, his eyes moving from one side to the other, taking in everything with the smooth but wide-eyed panic of an animal caught off-guard. His nose feels... funny, stuffed up and dull without actually physically being stuffed up. It's the same with his hearing. He feels like he's only operating at 50% capacity, like some irreplaceable part of himself has been snatched away. Maybe he's under a spell. Maybe he's been kidnapped. Maybe he's going to beat the hell out of whoever is knocking at the front door.

Once he calms down and realizes that the other person in the room is actually sleeping and not just pretending, Bigby quickly and quietly gets out of bed and leaves the bedroom. Further testament to the magic spell theory, the cavalcade of what-the-fuckery he sees on his way downstairs is enough to make him stop for a moment and stare in a daze, looking at one of the many pictures of a happy family hung on the wall, with himself in the forefront of all of them.]


... What the fuck.

[Eventually, he gets to the door and opens it to see a terrifying... stranger with a cake platter. After what feels like an agonizing amount of time, wherein the Robbie spends the next several moments happily prattling while all Bigby can do is stare, he's handed the platter. The Robbie waves goodbye and leaves the way they came, leaving Bigby standing there dumbfounded in his stupid purple fleece pajamas with— Christ, what even is this thing? Clown cake.

Of course this is the moment one of the people from the pictures finally wakes up and comes downstairs. Bigby slowly turns around and looks at them, holding the clown cake as if it were a bomb. He's silent long enough to make this uncomfortable, looking at you like you're the one who somehow has the answer to this mess. Or at least what to do with the clown cake.]


Uh. Hi.

[Sometimes silence is a valid option. This is not one of those times.]
ii. snow day
[For someone who's been a New Yorker for centuries, it would be easy to assume that Bigby doesn't like snow. Not true. Truth is, Bigby likes snow; he'd even go so far as to say he really likes snow, perhaps winter in general. He likes the cold. He likes the way fresh snow looks, and he likes the way it reminds him (rarely, sometimes, more often than he'd like to admit) of his real home.

What he doesn't like is being pelted with it the moment he gets one foot out the goddamn door.

All he wanted to do was go down to the store to get some cigarettes. Where he ends up at is leaning against a tree that's just wide enough to provide him ample cover from the children, who are lying in wait just down the street — standing between him and freedom. He's still covered in snow by the time someone finds him, rubbing the bridge of his nose where some brat nailed him between the eyes.

To anyone who makes his mistake and starts heading in that direction, all he has to say is:]
Trust me, you really don't wanna go that way.
iii. coming attractions; cw: violence, mild mention of gore and death
[Honestly, he doesn't know why he bothered to come here. It's not as if he likes movies (it's actually the opposite) or doesn't have better things he could be doing, things that might even bring him a step closer to getting back to Fabletown. Maybe he's just morbidly curious or trying to be social; it's not the first time those things have gotten him into trouble.

Whatever the case may be, Bigby is on the lot when the movie begins, hovering by the concession stand. He's lived through the 1960s and knows full well what serials are, how they really just seemed to exist to justify the outrageous price of a ticket, and so on in that regard he doesn't look away from the menu when the first one begins.

Until he hears a familiar voice.

"You alright back there? I mean, your eyes, and the teeth..."

Bigby's attention snaps to the screen. On it, a dark-haired woman wearing a ribbon around her neck kneels on a grimy street, looking at the figure standing beside her. Both of them are covered in scrapes and bruises. Only one of them looks familiar to anyone around who might by some miracle see what he's seeing.

"You're not really supposed to do that, right?"

Mute with shock, Bigby watches himself shake his head on the screen.

"Not if I can avoid it."

The scene continues for several minutes, and Bigby remembers each of them as if they were yesterday. For him, they might as well have been. The woman — Faith — pulls out a pack of cigarettes from her handbag. Bigby sees himself light her cigarette, sees the small, tentative smile Faith gives him, sees her beckon him closer and whisper into his ear: You're not as bad as everyone says you are.

It doesn't feel real, but it is: staring him down on the big screen, no less. It's equal parts alarming and heartbreaking, but not horrifying. Not yet.

The scene changes, and Bigby realizes what's coming next the moment he sees himself crouching at the front steps of the Woodlands. There's a jacket spread over the steps. Underneath it is a lump the size of a basketball. As the Bigby on the screen pulls the jacket away to reveal Faith's glassy, half-lidded eyes and the shiny white of bone and blood, the Bigby in the real world hears someone laughing beside him: some middle-aged man munching on a bag of popcorn, watching the gruesome scene play out as if it were a hilarious comedy. From his altered perspective, it is.

But Bigby has no way of knowing that. All he can see is red. Blinded with rage, he hauls back and punches the man in the mouth, hard enough to send him and his popcorn flying. The commotion is loud enough to draw attention from a few nearby cars, the occupants poking their heads out the window to watch. With how angry Bigby looks and how prepared he is to take this further, this might turn out to be a better show than the movie.]
iv. wildcard me up
[got an idea? hit me with a pm and we'll do it to it.]
Edited 2021-01-09 05:45 (UTC)
magic_to_do: (Every so often a man has a day)

1

[personal profile] magic_to_do 2021-01-09 06:41 am (UTC)(link)
[Trucy had been creeping down the stairs half expecting to confront her kidnapper. And ask about all the photoshopped pictures. But between the awkward silence and the clown cake... yeah.

This guy is probably not a criminal mastermind.]


Hi. Soo... what's with the cake?

[She has no answers. Only questions.]
sweariff: (sheriff ⭐️ 11127259)

[personal profile] sweariff 2021-01-10 12:38 am (UTC)(link)
[Bigby hasn't been awake for very long, but for all the photographs he's seen of him with this girl, he isn't likely to forget her face that easily. He thought she looked young in the pictures, but wow—

He looks down at the cake as if he's forgotten that he's still holding it. The styrofoam clown head cheerfully stares up at him.]


I dunno, [he says at length, truthfully. His nose wrinkles as he looks down at the thing; God, it looks disgusting.] Someone knocked on the door and just shoved it at me.

[To put it mildly. He's still a bit shellshocked from the encounter, and between that and the realization that somehow — somehow — he isn't a wolf anymore, it's taking him a bit long to process this.]

I guess it's a present?
magic_to_do: (doodleedoo)

[personal profile] magic_to_do 2021-01-10 01:59 am (UTC)(link)
[Trucy has been involved with everything from ghosts to hostage situations to... a surprising number of murder investigations. She's gotten really good at keeping calm in a crisis.

She moves closer for a better look at the clown confection and frowns. Pokes it once. Yeah the clown head is styrofoam. Huh...]


You know, that's kind of a weird present. And super gross looking. Buuut I guess it's the thought that counts.

[Yeah she is not eating that. It can go right in the trash. Unless he wants it. She won't judge.]

Um, anyway... I'm Trucy.
sweariff: (sheriff ⭐️ 12466989)

[personal profile] sweariff 2021-01-10 02:33 am (UTC)(link)
's pretty gross, yeah, [he agrees, looking down at the clown. Why someone would put a hunk of styrofoam on a cake even as a topper is beyond him, but he's a guy who hates sweets anyway. Maybe in some far-off, strange part of the country, this shit's normal. Fucking California.]

Bigby, [he says shortly, then crosses the room to the kitchen. He walks with purpose, and that purpose is simple: to throw this shit in the trash. He finds the garbage, opens the lid with his foot, and drops the cake like it's hot.] Y'know, for someone who's been kidnapped, you're sure taking it well.

[Mind you, he has no proof that she isn't complacent in whatever's going on, but he figures that if she were a willing part of this, she wouldn't introduce herself like they're strangers. From what the pictures are implicating, they're supposed to be family.]
Edited 2021-01-10 02:41 (UTC)
magic_to_do: (Join us... leave your fields to flower)

[personal profile] magic_to_do 2021-01-10 02:50 am (UTC)(link)
[She grins.]

A professional entertainer is ready for any situation.

[Also she's pretty sure panicking wouldn't help much. She follows him into the kitchen. Maybe there's something decent they could eat for breakfast. Non clown themed. She checks the fridge.]

But you seem like a pretty cool customer yourself. Been kidnapped before?
sweariff: (sheriff ⭐️ 275)

[personal profile] sweariff 2021-01-10 03:34 am (UTC)(link)
[» Are you kidding? I'm terrified.
» Not like this.
» A sheriff is always ready too.
» ...]


Not in the traditional sense. [Bigby looks back at Tracy, watching her rifle through the cabinets.] But I've woken up in some pretty gnarly places before.

[More like pretty fucked up places, but she's a kid, and he's the grown-up, and someone has to be the adult here. Might as well be him.]

Nothing like this, though. [He sweeps a glance around the kitchen, a hand on his hip. The image is ruined by the fuzzy pajamas.] Any idea what the hell's going on here and why there's pictures of us all over the place?
Edited 2021-01-10 03:35 (UTC)
undiagnosed: (pic#14468721)

ii

[personal profile] undiagnosed 2021-01-09 01:25 pm (UTC)(link)
Thank you, foreshadowing homeless man, [archer shoots back when bigby gives his warning. kind of funny how archer says that when he's currently staggering along, cane in one hand, half-empty bottle of scotch in the other and the same clothes he was wearing yesterday.] Wait, shit, did you come out one of the snowmen?

[it's a thought that's occurred to him, despite then having disappeared a week or so ago. archer's unaware of the children pelting everyone with snowballs and for a guy covered in snow under a tree that didn't dump it on him...

this theory holds absolutely no water, but he's trying it anyway. this is his braincell sparking for the week.]
sweariff: (sheriff ⭐️ 363)

[personal profile] sweariff 2021-01-10 12:29 am (UTC)(link)
[Homeless? Really? Bigby's brow wrinkles at that, more annoyed than actually angry. On the sliding scale of awful shit people have called him, that ranks pretty low, but still. So much for being friendly.

What Archer means by his next comment is a little more difficult to parse though, but from the straight line he is definitely not walking in, Bigby's going to go out on a limb here and say that he's drunk. He glances from the half-empty bottle to something across the street from them: a snowman one of the kids in the neighborhood. Either the kids didn't do a good job or a car must have backed into it because it's been knocked over.

Clearly this is what Archer's talking about. Bigby's eyes slide back to him.]


Uh, no. Not recently, [he adds, unsure if he should humor this guy or be blunt.]
undiagnosed: (it's a-me)

[personal profile] undiagnosed 2021-01-10 05:14 pm (UTC)(link)
Oh. Okay. [he almost sounds disappointed.] So much for that theory...

[shaking his head, archer follows bigby's glance to see the collapsed snowman. looks like it fell over naturally, to him, but could also have been the result of someone busting out of it! hard to tell!]

I'll bite, because I do not want to walk over that ice yet, and because I'm realising you're not wearing an elf costume, why do I not want to go down there? What, is it like a crime scene? Other than the shit these people wear. God, the sweatervests. I'm beset by them.
itsybitsybastard: PB: Jamie Campbell Bower (That's a face)

I

[personal profile] itsybitsybastard 2021-01-10 06:54 am (UTC)(link)
[Bigby rushing out of the room before Bailey rolls over is more of a blessing than he knows: the skinny Irishman's immediate response to the entire situation is to swear in a muttered, vicious stream of Gaelic as he kicks the sheets off and darts to the closet to throw some actual clothes on that aren't just-- a singlet and stripey briefs.

Eventually he comes downstairs, clad in a whole-ass suit, sweater, jacket and overcoat, his white hair still a limp mess and overall extremely dishevelled - and pauses on the bottom step when he sees Bigby holding the cake. And he just gives the whole display a resigned look.]


Alright, two questions if you can answer them. [He points at the alleged cake.] What the fuck. [And then at Bigby.] Who the fuck.
Edited 2021-01-10 07:03 (UTC)
naboosnaberrie: the less i know (.08)

i. arrival

[personal profile] naboosnaberrie 2021-01-11 10:20 pm (UTC)(link)
[Padmé recognizes the man from the pictures, the ones hanging along the hall and beside the stairs. She can't decide if that's a positive or negative thing, since perhaps he's the one responsible for all this. Still, he looks...about as bewildered as she still feels.

So, crossing her arms and lifting her chin, Padmé channels every etiquette lesson she's had to make her voice cool, neutral, but polite.
] Hello. [Then, to the clown cake thing:] I don't want that, thank you.
grice: (pic#14430398)

iii!

[personal profile] grice 2021-01-12 03:57 pm (UTC)(link)
[ the commotion grows fast, and soon more than falco’s own attention snaps to the brawl escalating from the chirping laugh among the audience. he has to double take, even, it’s hard to be sure— but the man on the screen was this one swinging his fist into a spectator’s teeth. why would someone laugh? maybe it wasn’t at them? there are still too many holes in between to make clarity of it—

but he didn’t need that to make a intervention. a small boy no younger than twelve bolts for the fight and grabs, as fast as he could, for the arm that reels back for a second punch. ]


W-wait! Stop, ah— [ bullshit it— ] Uncle!