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TRANQUILIZERS ([personal profile] robbies) wrote in [community profile] memesville2020-10-25 11:03 pm
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TDM - OCTOBER 2020


TEST DRIVE MEME - OCTOBER 2020

Everyone's entitled to one good scare.
CW: Violence, death, mouth trauma, vomiting, needles, razors


“Help me. Please, help me…”

A child’s voice, calling out for aid. There’s no rhyme or reason for when it comes to you. It’s so quiet, a whisper in the deepest, darkest corners of your mind. Were it not for the sharp, stabbing pain it pulls out of you, you could ignore it. You could even pretend it’s just your imagination.

It all happens so quickly and powerfully. Left in the dust, your brain struggles to process it all. Blacking out is the least it can do, but it’s also all it can do, and it does so before you even have a chance to fully register just how young the voice is, and how deeply, heartbreakingly lost it sounds.

When you finally awaken with your bare feet tangled in soft sheets, a layer of fuzzy fleece or slinky silk clinging to your body like another layer of skin, the sunlight pouring in from the window next to your bed momentarily blinding you, and the cries of happy children playing baseball outside of it carrying faintly, it all becomes very clear—

Something is horribly wrong.

OCTOBER 1st.

It becomes very clear very quickly that this isn’t a simple kidnapping.

  • If you’re twenty years old or older, the bedroom you wake up in is very clearly a couple’s bedroom — with separate beds like a modest, modern couple of course! A similarly lost and confused stranger is in the other. They are your counterpart, for everything in this room has a matching counterpart — the nightstand and lamp each of you have beside your beds, the framed pictures on the wall, even your pajamas.
  • If you’re under twenty years old, your room is smaller but more personalized, filled with comic books, model kits, stray baseball cards littered around the floor. Dolls, fashion magazines of people dressed from a bygone era, stacks of vinyl records neatly arranged next to a record player.
And then there are the pictures. They’re everywhere in the house — in a frame on your nightstand, hung on the walls, stuck in the photo albums and scrapbooks lying on your desk or tucked away in drawers. Here you are on your wedding day, exchanging vows with your partner. Here’s you sitting in a fishing boat with one of the younger members of your house. Here’s a picture of you at ten years old getting ready for the first day of school. All of the photographs are aged, sepia, even yellowed and dusty in frames hung for a long, long time.

By the time you make it down to the living room, you’ll notice that the television is on; someone must have forgotten to turn it off before they went to bed. On it, a cartoon pack of cigarettes and accompanying cigarette dancers prance around a black and white pumpkin patch, joined by dancing skeletons, ghosts and witches as a cheerful little earworm blares:

”Thirty days til Halloween, Halloween, Halloween, thirty days til Halloween—“


GETTING TO KNOW THE NEIGHBORS.

As you get acclimated, you gradually begin to learn more about this strange new world you’ve found yourself in. You’re in a neighborhood on the east side of a town called Santa Rosita located… somewhere in California (wherever or whatever that might be). The year is 1961.

If it wasn’t clear enough, your neighbors are more than willing to humor you if you ask. Even if you accost them with questions and demands. Sure, you and your family are a little kooky, and you have a very overactive imagination, but the key to any good joke is playing along! And how could something like “I’m from the future, from another world” be anything but a joke?

A. AUNT MYRNA'S PARTY CHEESE SALAD.

Over the course of the week, your neighbors will come by unannounced, each with a new homecooked meal to welcome you to their cozy little side of town. Meatloaf, potato salad, lamb chops. Gelatin molds — lots of gelatin molds.

Someone even comes by to drop off a gelatinous yellow lump of pineapple, green peppers, celery and yellow cheese swimming in a soupy mixture of sour and whipped cream. “It’s my aunt Myrna’s recipe!” they gush once they drop the casserole tin into your hands, proceeding to rattle off every ingredient.

Well, at least you won’t be starving anytime soon.

When you bring it back in to your kitchen - and its cheery wallpaper and its floral patterned Pyrex dishware, you and your new...family(?) all stare at the cheese salad, the gelatin, the curiously frosted meatloaf spread. A smorgasbord courtesy of the insistent generosity!

Who will take the first bite?

B. DON'T BE A SQUARE!

You can only avoid the cheer and the neighbors for so long, even as you sit inside enjoying all the amenities of your new home. The television can only turn its volume up to five, after all! One bright and sunny Saturday, the weather crisp and clear, news broadcasts and reruns of The Ed Sullivan Show are drowned out by the music in the neighborhood. Eventually it’s too much to bear — you simply must put on your shoes and go discover the source of that infernal racket.

Why, it’s the block party! Haven’t you seen the invitation — with instructions — sitting in your mailbox, silly? Wear a badge so everyone on the block can know you’re new and welcome you to their extended family!

Well! Each neighbor was supposed to set up a table with snacks and drinks and entertainment on their front lawn. Carter Mayhew, one of your Robbie neighbors, has a whole ring toss obstacle course set up for boys to play with, and his wife is cheerfully and blandly instructing a group of girls on jump rope rhymes. Colorful streamers hang from every lamppost and mailbox, balloons and party favors galore. Like you, there are even a few newcomers to Santa Rosita that are caught just as unaware of this event — though others are being welcomed in by husbands and wives and children, caught in conversations about building decks and the upcoming Halloween festivities.

Before you can decide if returning home or joining the party is your choice, a plate with chips and dips and yes, more gelatin is shoved into your hands and a party hat snapped on to your head.

“The guest of honor has arrived! Come and meet your neighbors, neighbor!”


THROUGHOUT OCTOBER.

Life falls into a peaceful haze for the next several days. Dull, unassuming, tranquil. As the month drags on, the spirit of Halloween begins to manifest in Santa Rosita, from the pumpkins people start putting out on their doorsteps to the smiling faces of paper skeletons pressed against their windows.

And then, towards the end of the month, something terrible happens. You hear it first through word of mouth, rippling through Santa Rosita like a wave, dark murmurs accompanied by sad sighs and downturned eyes. Soon, you start to read about it. Grim business, they say. A tragedy. How could something like this happen.

People stop talking about it by the end of the week. Best just to forget about it.

Every day, that cigarette commercial comes on. It’s impossible to escape it. And every day, the number of days in the song changes, counting down.

”Thirteen days till Halloween—”

“Eight more days til Halloween—”

“Three more days til Halloween, Halloween, Halloween…”

HALLOWEEN.

CW: Violence, death, mouth trauma, vomiting, needles, razors

October 31st. It sneaks up on you whether you like it or not. When dawn breaks on Halloween day, things are as serene as they’ve ever been as men do yard work, raking leaves as their wives bake fresh pie and cookies in the house, the spicy scent of cinnamon, apple and pumpkin wafting through the neighborhood on chilly October wind. There’s a smile on every child’s face as they skip off the school bus in the afternoon, running into their houses to get their costumes ready. As it begins to get dark, the residents of Santa Rosita start lighting their jack-o-lanterns. One by one, little balls of light flicker to life on every porch and doorstep, jagged smiles grinning in the dark.

For the entire night, nobody blows the candle inside their pumpkins out. It’s a tradition, a very old one, and traditions are just another way of saying rules.

And Halloween in Santa Rosita, as it turns out, lives and dies by the rules.

A. ALWAYS CHECK YOUR CANDY.

Halloween isn’t just for the kids, although they certainly make up the bulk of who you’ll see out and about on the streets. Walking through Santa Rosita, your neighbors are as generous with handing out treats as they are with handing out gelatin molds and pot roasts, and they don’t discriminate. Adults are received just as warmly as children; the worst one can expect is a quirked eyebrow if they show up to a house without a costume.

Apples, packs of gum, homemade cookies. Chocolate bars, nickels, popcorn balls. Your neighbors hand out all sorts of treats, most of them homemade. The Robbies are no exception, and it’s their treats that seem a bit more high quality than most, some of the candy they hand out being obviously expensive, brand names. The good stuff. They drop each treat into your bag with those same pleasant, mild expressions and too-tight smiles you’ve grown used to in your short time here.

Eventually, as everyone winds up doing at some point in the night, you decide to start digging into your treat bag to sample some of your well-earned goods — maybe in the comfort of your home, maybe outside on the streets. And that’s when the fun begins.

Maybe you bite into metal, the razor sharp end of a blade embedded into the apple or candy bar you’ve picked out burying itself in your gums, or splitting your tongue. Maybe it’s a needle, impaling itself straight through the roof of your mouth or a cheek. Or maybe it’s nothing that obvious. Maybe the realization that something is wrong comes moments after you’ve devoured that chocolate bar or cookie, the bitter aftertaste of rat poison hitting the back of your throat along with bile and the rest of the contents of your stomach as they rise up and out of your mouth.

Or maybe you’ll bite into plain, sweet chocolate or fresh fruit. That’s also part of the surprise. You really don’t know what you’ll get until you start eating.

B. ALWAYS RESPECT THE DEAD.

At ten o’clock, all the television sets in the neighborhood turn on, blaring to life right in the middle of that omnipresent cigarette commercial. The volume begins to rise of its own accord as your television starts to pick up interference, bursts of static squealing amidst the rising, screaming chorus of ”HAPPY HAPPY HALLOWEEN, HALLOWEEN, HALLOWEEN!”

Breaking through the static, garbled and tinny, a child’s voice cries out.

“Can’t— I can’t hold them— back— Pumpkin— don’t blow the— out—”

And just as quickly as it cut in, the voice cuts back out. Commercial jingle notwithstanding, you’re alone once more. But not for long.

The doorbell rings. You can see them outside from your window: costumed children. Their masks and clothes are grimy and ragged from the muddy, slimy water they’ve been decomposing in for over a week. When they come to your door, squelching wetly as they shamble up the porch steps, they ring the bell or knock, as all polite children do. If you don’t let them in, they’ll find their own way, always by force. And once they find you, all they can gurgle in their reedy, waterlogged voices is, ”Trick or treat.”

From there, they attack.

With superhuman strength and speed, they tear and rip at anything they can get their hands on — clothing, skin, muscle, face, eyes. Being short and small, despite their strength, they're at a distinct disadvantage. They can even be thrown off, with some effort. But they don’t stay down for long, and attempting to hurt or mortally wound them only stalls them for a few moments, if that. How can you kill something that’s already dead?

Some in the neighborhood are willing to try and find out.

The only houses they seem to ignore completely are the ones with lit jack-o-lanterns still outside. They’ll loiter outside these houses, staring straight ahead at your door or window like they can see exactly where you are. But sooner or later, they’ll pass by and move onto the next house.

As long as the candles in carved pumpkins stay lit.


OOC INFO

Hello, and welcome to We're Still Here's first TDM! Here's a few things we'd like you to keep in mind:

The TDM is canon. You can treat this as the game's first real event and pick and choose what threads you would like your character to remember when they enter the game. For characters who app into the game, the events of the TDM will be treated like a dream. Upon awakening from it, characters will find that time has jumped ahead to December 1st. You may also feel free to use similar reality and/or time distortions to explain why the family members your characters have in the TDM aren't the same as the ones they may be assigned to in the game proper.

If you would like to have Halloween content in your relaxed housing prompts, please feel free! You are not beholden to follow our prompts exactly so long as the spirit is maintained.

There is no Network prompt listed, but feel free to wildcard one for your characters anyway.

Although the TDM is canon in the sense that characters are free to remember its events when they app into the game, it does not count as an official plot heavy event, meaning that characters will not receive regains from participating in it.

With regards to the dead trick-or-treaters: you may NPC them however you'd like, but keep the details we've listed in their prompt in mind. They are supernaturally fast and strong, will ignore houses as long as they have a lit pumpkin on the porch outside, and will try to enter each house the moment the candle in the pumpkin goes out. Additionally, they can't be killed, but they can be momentarily stalled by injuring them. By November 1st, 6AM, they will disappear the moment the sun comes out.


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probotagonist: (pic#14319833)

connor (detroit: become human)

[personal profile] probotagonist 2020-10-29 12:41 am (UTC)(link)
OCTOBER 1ST

[One minute, he's standing in the middle of a garden covered in ice, the crude outline of Kamski's emergency door only a few feet away from him, his breath stuttering as the wind howled around him. It was like the world itself was falling apart. And in a few moments, so would he.

What happens next is unclear, there and gone just like the emergency door. All Connor knows is that one minute, he's reaching out for it, and the next, his knees are buckling and he's falling, and he hears a voice that isn't Amanda, or Markus, or anyone he can remember, and then there's nothing but white. It swallows up everything.

When he opens his eyes again, he's still lying prone, but not on the ground.

Carefully, Connor sits up in bed. Wherever he is, this is the furthest thing from Amanda's zen garden, and the clothes he's wearing are the furthest thing from his uniform. He reaches down to tug at his pajama sleeve, blinking rapidly as he tries to clear— something out of his optics. The sensation of having sleep grit stuck to his eyelashes is so alien that he doesn't know how to process it. The same goes for the way his outer skin is jumping and prickling at breeze drifting in from the bedroom's open window, and how inexplicably dry his mouth feels, and how he's now acutely that he can feel the Thirium pump in his chest hammering. Like a heartbeat.

He slowly reaches down to his wrist and pinches it, hard enough to hurt. Hard enough to feel real skin and see the area go white, then red when he pulls back.

... This is strange.


a. Eventually, Connor gets up and goes to the other bed in the room. Existential dread that he's now inexplicably human aside, he's feeling oddly calm. Maybe he's in shock. Maybe he doesn't really know how to completely process that emotion yet. Maybe he doesn't realize that standing over someone's bed and patiently (creepily) staring at them while he waits for them to wake up isn't what normal people do.

But that's exactly what he does anyway.

b. When he goes to the other bedrooms in the house, his bedside manner is better, but not by much. Instead of looming, he instead crouches beside the bed, barely a foot away from the other person's face as he thoughtfully considers them. He's just starting to figure out that the tight, unpleasant feeling in his throat is frustration (who are they?) when his new "child" starts to wake up.

This time, he takes a more tactful approach, raising his hands in a placatory gesture when they turn over in bed to look at him.]


Hello. Don't be afraid. My name's Connor, I'm— [The android sent by Cyberlife he isn't, not anymore. He hesitates for a second before awkwardly finishing,] I'm... just like you.


DON'T BE A SQUARE!

[Going from a city on the brink of civil war to a town where everyone couldn't be happier to see you is one hell of a trip, and for Connor, who's usually pretty accepting and adaptable to most situations (after all, it was how he was programmed), it's a pretty big adjustment. The bright side is that he's not the only one who looks uncomfortable here, right now.

As he reaches up to poke at the party hat that's been forced on his head, one of his new neighbors — a teenage girl with a blonde bob — giggles as she looks up and notices him and the group he's standing with. "What're you standing around for? C'mon, don't be a square!"

Connor frowns.]


What is she talking about? [he asks, looking over at the person next to him for clarification.] We're not square.

ALWAYS RESPECT THE DEAD

[By the end of the month, Connor thinks he's finally starting to get the hang of this whole human thing. Sure, having to sleep and eat is still uncomfortable and easy to forget until his body loudly reminds him of both, and maybe it's a little terrifying to realize that he's manually breathing, but these are things that can be understood with time and, eventually, mastered. Being aware of his new emotions is also frightening, but then, so was taking the plunge and turning Deviant. Maybe this is just the logical progression.

Being aware of his body's passive state is one thing, but it's an entirely different matter when you introduce combat into the equation. Once the ghostly, rotting children start walking the streets, the only option as Connor sees it is to protect and fight first, run and hide second. Human or android, Deviant or machine, he's still a law enforcement officer. It's his job to help those who need helped before himself. So, when he sees one of the children preparing to leap at one of his neighbors, he takes immediate action and beats them to it by running at the child and barreling into them, knocking the both of them off their feet and onto the street.

They roll around a bit, Connor trying to wrench the child's arms behind their back, the child trying to rip Connor's throat out with its gnarled, claw-like fingers. He must have fallen on his arm when he hit the ground; the pain is intense, and it's just as shocking as the strength the kid has as they thrash in his grip, very close to breaking loose. In the end, he still has a lot to learn about his body's limits.

Doesn't mean he's not going to try to push himself as hard as he can anyway. He screams at his neighbor over his shoulder,]
Go!

WILDCARD

[Want to do something else? Hit me here or in a PM.]
Edited 2020-10-29 00:44 (UTC)
miaoudel: <user name=quixotic> (i'm shifting into soup mode)

Oct 1.B

[personal profile] miaoudel 2020-10-29 01:03 am (UTC)(link)
[With all due respect, Connor, this is not the way to wake someone up in the morning. Especially not someone with combat reflexes.

When Adrien opens his eyes and sees a tall, strange man with his face less than a foot away from his own - well, Connor won't be able to talk over the sudden scream that Adrien lets out as he scrambles backwards, and one foot swings up and into Connor's face before Adrien accidentally launches backwards from the force of it, off the bed with a loud thump.]
thevalley: (jesus christ hot sauce christmas cake)

October 1st A.

[personal profile] thevalley 2020-10-29 01:07 am (UTC)(link)
[Ellie rolls over in a bed that she hasn't noticed is a little too small and opens her eyes. She expects to see Dina. Or Dina's spot open and the sound of her voice as she talks to JJ in the room down the hall.

Except... Dina isn't there. The bed is too small. And the doors don't line up. She looks up and sees... a guy standing over. A guy she's never seen before.

With a cry she leans over and grabs the first thing she can grip, a lamp, and swings it at the offender.]


What the fuck!
letsfindout: (It's Always Sunny in Philadelphia)

Don't be a square

[personal profile] letsfindout 2020-10-29 08:11 pm (UTC)(link)
I'll say!

[This dog trapped in this body seems to agree strongly with Connor's sentiment.]

We're way more fun than that!