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TRANQUILIZERS ([personal profile] robbies) wrote in [community profile] memesville2020-10-25 11:03 pm
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TDM - OCTOBER 2020


TEST DRIVE MEME - OCTOBER 2020

Everyone's entitled to one good scare.
CW: Violence, death, mouth trauma, vomiting, needles, razors


“Help me. Please, help me…”

A child’s voice, calling out for aid. There’s no rhyme or reason for when it comes to you. It’s so quiet, a whisper in the deepest, darkest corners of your mind. Were it not for the sharp, stabbing pain it pulls out of you, you could ignore it. You could even pretend it’s just your imagination.

It all happens so quickly and powerfully. Left in the dust, your brain struggles to process it all. Blacking out is the least it can do, but it’s also all it can do, and it does so before you even have a chance to fully register just how young the voice is, and how deeply, heartbreakingly lost it sounds.

When you finally awaken with your bare feet tangled in soft sheets, a layer of fuzzy fleece or slinky silk clinging to your body like another layer of skin, the sunlight pouring in from the window next to your bed momentarily blinding you, and the cries of happy children playing baseball outside of it carrying faintly, it all becomes very clear—

Something is horribly wrong.

OCTOBER 1st.

It becomes very clear very quickly that this isn’t a simple kidnapping.

  • If you’re twenty years old or older, the bedroom you wake up in is very clearly a couple’s bedroom — with separate beds like a modest, modern couple of course! A similarly lost and confused stranger is in the other. They are your counterpart, for everything in this room has a matching counterpart — the nightstand and lamp each of you have beside your beds, the framed pictures on the wall, even your pajamas.
  • If you’re under twenty years old, your room is smaller but more personalized, filled with comic books, model kits, stray baseball cards littered around the floor. Dolls, fashion magazines of people dressed from a bygone era, stacks of vinyl records neatly arranged next to a record player.
And then there are the pictures. They’re everywhere in the house — in a frame on your nightstand, hung on the walls, stuck in the photo albums and scrapbooks lying on your desk or tucked away in drawers. Here you are on your wedding day, exchanging vows with your partner. Here’s you sitting in a fishing boat with one of the younger members of your house. Here’s a picture of you at ten years old getting ready for the first day of school. All of the photographs are aged, sepia, even yellowed and dusty in frames hung for a long, long time.

By the time you make it down to the living room, you’ll notice that the television is on; someone must have forgotten to turn it off before they went to bed. On it, a cartoon pack of cigarettes and accompanying cigarette dancers prance around a black and white pumpkin patch, joined by dancing skeletons, ghosts and witches as a cheerful little earworm blares:

”Thirty days til Halloween, Halloween, Halloween, thirty days til Halloween—“


GETTING TO KNOW THE NEIGHBORS.

As you get acclimated, you gradually begin to learn more about this strange new world you’ve found yourself in. You’re in a neighborhood on the east side of a town called Santa Rosita located… somewhere in California (wherever or whatever that might be). The year is 1961.

If it wasn’t clear enough, your neighbors are more than willing to humor you if you ask. Even if you accost them with questions and demands. Sure, you and your family are a little kooky, and you have a very overactive imagination, but the key to any good joke is playing along! And how could something like “I’m from the future, from another world” be anything but a joke?

A. AUNT MYRNA'S PARTY CHEESE SALAD.

Over the course of the week, your neighbors will come by unannounced, each with a new homecooked meal to welcome you to their cozy little side of town. Meatloaf, potato salad, lamb chops. Gelatin molds — lots of gelatin molds.

Someone even comes by to drop off a gelatinous yellow lump of pineapple, green peppers, celery and yellow cheese swimming in a soupy mixture of sour and whipped cream. “It’s my aunt Myrna’s recipe!” they gush once they drop the casserole tin into your hands, proceeding to rattle off every ingredient.

Well, at least you won’t be starving anytime soon.

When you bring it back in to your kitchen - and its cheery wallpaper and its floral patterned Pyrex dishware, you and your new...family(?) all stare at the cheese salad, the gelatin, the curiously frosted meatloaf spread. A smorgasbord courtesy of the insistent generosity!

Who will take the first bite?

B. DON'T BE A SQUARE!

You can only avoid the cheer and the neighbors for so long, even as you sit inside enjoying all the amenities of your new home. The television can only turn its volume up to five, after all! One bright and sunny Saturday, the weather crisp and clear, news broadcasts and reruns of The Ed Sullivan Show are drowned out by the music in the neighborhood. Eventually it’s too much to bear — you simply must put on your shoes and go discover the source of that infernal racket.

Why, it’s the block party! Haven’t you seen the invitation — with instructions — sitting in your mailbox, silly? Wear a badge so everyone on the block can know you’re new and welcome you to their extended family!

Well! Each neighbor was supposed to set up a table with snacks and drinks and entertainment on their front lawn. Carter Mayhew, one of your Robbie neighbors, has a whole ring toss obstacle course set up for boys to play with, and his wife is cheerfully and blandly instructing a group of girls on jump rope rhymes. Colorful streamers hang from every lamppost and mailbox, balloons and party favors galore. Like you, there are even a few newcomers to Santa Rosita that are caught just as unaware of this event — though others are being welcomed in by husbands and wives and children, caught in conversations about building decks and the upcoming Halloween festivities.

Before you can decide if returning home or joining the party is your choice, a plate with chips and dips and yes, more gelatin is shoved into your hands and a party hat snapped on to your head.

“The guest of honor has arrived! Come and meet your neighbors, neighbor!”


THROUGHOUT OCTOBER.

Life falls into a peaceful haze for the next several days. Dull, unassuming, tranquil. As the month drags on, the spirit of Halloween begins to manifest in Santa Rosita, from the pumpkins people start putting out on their doorsteps to the smiling faces of paper skeletons pressed against their windows.

And then, towards the end of the month, something terrible happens. You hear it first through word of mouth, rippling through Santa Rosita like a wave, dark murmurs accompanied by sad sighs and downturned eyes. Soon, you start to read about it. Grim business, they say. A tragedy. How could something like this happen.

People stop talking about it by the end of the week. Best just to forget about it.

Every day, that cigarette commercial comes on. It’s impossible to escape it. And every day, the number of days in the song changes, counting down.

”Thirteen days till Halloween—”

“Eight more days til Halloween—”

“Three more days til Halloween, Halloween, Halloween…”

HALLOWEEN.

CW: Violence, death, mouth trauma, vomiting, needles, razors

October 31st. It sneaks up on you whether you like it or not. When dawn breaks on Halloween day, things are as serene as they’ve ever been as men do yard work, raking leaves as their wives bake fresh pie and cookies in the house, the spicy scent of cinnamon, apple and pumpkin wafting through the neighborhood on chilly October wind. There’s a smile on every child’s face as they skip off the school bus in the afternoon, running into their houses to get their costumes ready. As it begins to get dark, the residents of Santa Rosita start lighting their jack-o-lanterns. One by one, little balls of light flicker to life on every porch and doorstep, jagged smiles grinning in the dark.

For the entire night, nobody blows the candle inside their pumpkins out. It’s a tradition, a very old one, and traditions are just another way of saying rules.

And Halloween in Santa Rosita, as it turns out, lives and dies by the rules.

A. ALWAYS CHECK YOUR CANDY.

Halloween isn’t just for the kids, although they certainly make up the bulk of who you’ll see out and about on the streets. Walking through Santa Rosita, your neighbors are as generous with handing out treats as they are with handing out gelatin molds and pot roasts, and they don’t discriminate. Adults are received just as warmly as children; the worst one can expect is a quirked eyebrow if they show up to a house without a costume.

Apples, packs of gum, homemade cookies. Chocolate bars, nickels, popcorn balls. Your neighbors hand out all sorts of treats, most of them homemade. The Robbies are no exception, and it’s their treats that seem a bit more high quality than most, some of the candy they hand out being obviously expensive, brand names. The good stuff. They drop each treat into your bag with those same pleasant, mild expressions and too-tight smiles you’ve grown used to in your short time here.

Eventually, as everyone winds up doing at some point in the night, you decide to start digging into your treat bag to sample some of your well-earned goods — maybe in the comfort of your home, maybe outside on the streets. And that’s when the fun begins.

Maybe you bite into metal, the razor sharp end of a blade embedded into the apple or candy bar you’ve picked out burying itself in your gums, or splitting your tongue. Maybe it’s a needle, impaling itself straight through the roof of your mouth or a cheek. Or maybe it’s nothing that obvious. Maybe the realization that something is wrong comes moments after you’ve devoured that chocolate bar or cookie, the bitter aftertaste of rat poison hitting the back of your throat along with bile and the rest of the contents of your stomach as they rise up and out of your mouth.

Or maybe you’ll bite into plain, sweet chocolate or fresh fruit. That’s also part of the surprise. You really don’t know what you’ll get until you start eating.

B. ALWAYS RESPECT THE DEAD.

At ten o’clock, all the television sets in the neighborhood turn on, blaring to life right in the middle of that omnipresent cigarette commercial. The volume begins to rise of its own accord as your television starts to pick up interference, bursts of static squealing amidst the rising, screaming chorus of ”HAPPY HAPPY HALLOWEEN, HALLOWEEN, HALLOWEEN!”

Breaking through the static, garbled and tinny, a child’s voice cries out.

“Can’t— I can’t hold them— back— Pumpkin— don’t blow the— out—”

And just as quickly as it cut in, the voice cuts back out. Commercial jingle notwithstanding, you’re alone once more. But not for long.

The doorbell rings. You can see them outside from your window: costumed children. Their masks and clothes are grimy and ragged from the muddy, slimy water they’ve been decomposing in for over a week. When they come to your door, squelching wetly as they shamble up the porch steps, they ring the bell or knock, as all polite children do. If you don’t let them in, they’ll find their own way, always by force. And once they find you, all they can gurgle in their reedy, waterlogged voices is, ”Trick or treat.”

From there, they attack.

With superhuman strength and speed, they tear and rip at anything they can get their hands on — clothing, skin, muscle, face, eyes. Being short and small, despite their strength, they're at a distinct disadvantage. They can even be thrown off, with some effort. But they don’t stay down for long, and attempting to hurt or mortally wound them only stalls them for a few moments, if that. How can you kill something that’s already dead?

Some in the neighborhood are willing to try and find out.

The only houses they seem to ignore completely are the ones with lit jack-o-lanterns still outside. They’ll loiter outside these houses, staring straight ahead at your door or window like they can see exactly where you are. But sooner or later, they’ll pass by and move onto the next house.

As long as the candles in carved pumpkins stay lit.


OOC INFO

Hello, and welcome to We're Still Here's first TDM! Here's a few things we'd like you to keep in mind:

The TDM is canon. You can treat this as the game's first real event and pick and choose what threads you would like your character to remember when they enter the game. For characters who app into the game, the events of the TDM will be treated like a dream. Upon awakening from it, characters will find that time has jumped ahead to December 1st. You may also feel free to use similar reality and/or time distortions to explain why the family members your characters have in the TDM aren't the same as the ones they may be assigned to in the game proper.

If you would like to have Halloween content in your relaxed housing prompts, please feel free! You are not beholden to follow our prompts exactly so long as the spirit is maintained.

There is no Network prompt listed, but feel free to wildcard one for your characters anyway.

Although the TDM is canon in the sense that characters are free to remember its events when they app into the game, it does not count as an official plot heavy event, meaning that characters will not receive regains from participating in it.

With regards to the dead trick-or-treaters: you may NPC them however you'd like, but keep the details we've listed in their prompt in mind. They are supernaturally fast and strong, will ignore houses as long as they have a lit pumpkin on the porch outside, and will try to enter each house the moment the candle in the pumpkin goes out. Additionally, they can't be killed, but they can be momentarily stalled by injuring them. By November 1st, 6AM, they will disappear the moment the sun comes out.


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omertae: (• i've got a new story now)

angelo salucci — original

[personal profile] omertae 2020-10-27 05:31 pm (UTC)(link)
» 001. OCTOBER 1ST
A. BEDROOM
[ Angelo wakes up gasping, his heart thudding so fast it feels like he's either inching close to or just coming down from a heart attack. This place is completely unfamiliar and unpleasantly kitschy, and when he looks down he's wearing a frankly hideous pair of plaid pyjamas. His first point of call, perhaps strangely, is to unbutton the shirt and feel out his stomach, up to his chest. It's whole, which is nice, but under the palm of his hand he can feel a thin, fresh scar running vertically from his navel up to his sternum.

Great. It'll match the one on his face, much older and much less clean, curved over his cheekbone.

He's not alone. There's someone else in here, but when Angelo swings his legs out of bed and gets up with the intent to confront them about it, his eyes are drawn to a framed photo on the bedside table, a photo of himself and someone he doesn't recognise, very clearly dressed like they're at a wedding. Their own wedding.

Okay.

Angelo picks the photo up to scrutinise it, eyes narrowed, and then looks up at the other bed and its occupant, who he is now frankly outright disgusted to realise is the same person from the wedding photo. Dropping the frame on his bed, he props a hand on his hip and says, outright confrontationally, ]
The fuck is this?

B. LIVING ROOM
[ He'd kill for a cigarette. The stupid fucking Halloween ad on this tiny television is not doing much to alleviate that craving, so he starts to root through the drawers in the unit against the wall, leafing through them with little care for the contents. He's missing so much more than cigarettes – chiefly, and most disturbingly, the ring he usually wears on his right ring finger – but these seem like the most attainable goal for now, considering the fact that they're advertising the fucking things on the television. Which is why it's so frustrating that he can't find shit.

Methodically, Angelo starts to take things out of the drawers and toss them anywhere he pleases, leaving a scattering of stuff all over the floor – miscellaneous trinkets, balls of paper, craft supplies, opened letters that look like bills, old birthday cards. It doesn't matter. Everything is going on the floor. Anyone else in the house he hasn't met yet will find him like this, crouched to access a lower drawer, surrounded on all sides by mess. ]
» 002. GETTING TO KNOW YOU~
A. PARTY CHEESE SALAD

[ Angelo drops the casserole tin onto the kitchen table and stares at it as if it personally called him names. Frankly, he feels sick just looking at it. No amount of desperate hunger could ever make him take a bite. ]

I'm not eating that. No fuckin' way.

B. BLOCK PARTY

[ He found cigarettes. Unfortunately for him, now he has something to smoke, he's forced to accept that there are more things to worry about than nicotine. After the disaster of that casserole thing, Angelo is staying away from any food he's not expressly prepared himself, which means he's hungry and irritable. But at least he's smoking, right.

He meanders through the party with his eyes narrowed, radiating the energy of someone who absolutely does not want to be here, and wants to be bothered even less. Apparently the grinning, cheery inhabitants of this hellhole are incapable of understanding that plainly telegraphed message, because they keep approaching him with chips and dip and fucking gelatin, all of which he's staunchly refused, until it's too much to keep saying no and he has to flip the paper plate out of a woman's hands, sending food scattering all over the ground.

He's caught attention, which is – frankly, exactly what he didn't want. ]
What? [ he barks at the nearest person who's staring, with a dangerous flash in his eyes that begs them to confront him about his moment of slightly childish pique. As if it's obvious, he explains: ] I didn't want it.
» 003. HALLOWEEN
CW: violence against, uh, dead children; gore
[ Angelo blew out the pumpkin.

He doesn't even remember when he did it, but of course that doesn't really matter now, what matters is he did it and it's done. He's already on strangely high alert from the fizzing, static message that had come through half-garbled on the TV, but when he hears the doorbell ring he figures it's just another group of kids trying to mooch free candy. He's not answering; he hasn't, all night, he has better things to do like sit in the growing darkness and smoke. But this time the kids don't just scamper off; this time they start to knock once the trilling of the doorbell doesn't work, and then after that they're thumping furiously at the door. Angelo rolls his eyes and gets up, muttering under his breath about kids and their entitlement to fucking candy of all things, but when he wrenches the door open the sight and smell is immediately worse than a couple of tweens covered lazily in bedsheets with eyeholes cut out. Impossibly, he recognises this costume, this one child standing on the doorstep and gurgling trick or treat at him – waterlogged as it is, he saw the photo in the newspaper, they all did.

He immediately goes to swing the door shut again, but the kid snatches out at the last minute, trapping its tiny hand between the door and the frame and then pushing. Somehow, impossibly, it's far stronger than Angelo, which bodes ill, and he lets go of the door, stumbling back as this squishy, definitely dead kid inserts itself into the house. Without even thinking about it, Angelo grabs for the hatstand by the door and shakes off the coats and hats hanging from it, gripping it like a baseball bat and swinging for the kid with absolutely no hesitation. He knocks it right in the side of the head and sends it careening into the wall, but it picks itself up as if he'd just brushed it in passing.

Anyone walking by the Salucci house will see, in full view, Angelo trying to beat a costumed kid to death. Help? ]
» 004. WILDCARD
[ hmu for shenanigans or feel free to just strike angelo in conversation while he's smoking furiously on the lawn! i'm [plurk.com profile] crowders at plurk if you wanna hash things out first! ]
Edited 2020-10-27 17:32 (UTC)
mijo: <user name="shithouse"> (nacho05)

002.b

[personal profile] mijo 2020-10-27 06:29 pm (UTC)(link)
[ Nacho is watching Angelo interact with the locals just thinking 'wow, these people cannot read body language' when the other man finally snaps and flips a plate. Everyone seems to acknowledge that this is terrible manners but they leave him alone about it, Nacho supposes not wanting to confront the guy.

He has no such qualms, but no such interest, either. Except that Angelo has caught him staring and is snapping an explanation at him. Okay, dude, calm down. Nacho keeps his typical, just-this-side-of-blank expression on, his voice relaxed and mildly friendly when he answers. ]


They're insistent. Come over here, it might be easier to avoid the offers if you're engaged with somebody.
thricefold: (140. you always turn my head around.)

( prompt: october 1st/wildcard mashup. )

[personal profile] thricefold 2020-10-27 08:36 pm (UTC)(link)
[ well. it's nice to see some things never change.

as zita steps out of her(?) home(??) to get a breath of fresh air, needing to clear her head before the migraine makes good on its threat, she's quick to catch the smell of cigarettes upon cigarettes lingering in the air. one turn of her head has her locating the source of the smell and, for some reason, it gives her pause.

enough pause that she approaches the fence that separates their houses, clearing her throat to catch his attention. ]


Hello. I'm Zita. I'm... [ she pauses, needing to find a way to convey her words without tipping her hand too much. ] I'm Zita and I'm new here.

Are you new as well?
omertae: (• up came a fist)

[personal profile] omertae 2020-10-27 09:00 pm (UTC)(link)
[ Angelo's eyes narrow. He's looking at her with outright suspicion as she stumbles her way through a sentence, and he doesn't even take the cigarette out of his mouth immediately when she finally gets to the point. He makes a big deal of sizing her up, but that's just appearances. Angelo doesn't actually intend to start a fight right here on his white-picket-fenced lawn.

So he sucks in a lungful of smoke and plucks the cigarette out of his mouth to exhale, and says, very lightly, ]
Yep. Just got here today. [ A pause. ] This morning, actually. [ He sticks his free hand in his pocket of his trousers, staring down at the grass, scuffing it a little with the toe of his shoe. ] Kind of an unexpected move.
doneisdone: (angry)

1B

[personal profile] doneisdone 2020-10-27 08:45 pm (UTC)(link)
[When she heard someone descending the stairs, Teren made herself scarce. The TV is still going, and the vague feeling in the air as if someone else is present, but Angelo won't actually encounter her until he rounds the corner into the kitchen, where he's presented with an arm around his neck and a knife tip at his jugular.]

What the fuck is this, [hisses a voice in his ear,] who are you?
allchokedup: (005)

4. hewwo big brother (•_•)

[personal profile] allchokedup 2020-10-27 11:57 pm (UTC)(link)
[He's dead. That much he's aware of. He's still confused on how the whole thing happened, but there's no other explanation to waking up in a completely different, eerie town with false memories hanging on the walls. Except when you're dead you don't sleep, and he's tired. You don't eat, and his stomach rumbles. But who's to say, really? He's never been dead before.

Either way he spends all morning, noon, and now this evening wandering around. Staring at old pictures, trying to make sense of his "neighbors", especially those who seem just as lost as he is. It's good to know he's not alone, at least. At some point he even sat on "his" porch and stared at the grass, trying to dig deep into the last moments of his life, trying to see a face that was blurry — but the more he thought about it the bigger the bubble of anxiety in his chest grew until it threatened to burst.

The sun finally goes down and everyone is heading to bed, except for a lone figure smoking out on the front lawn. A familiar figure.

A very familiar figure.

He should be excited, relieved, anything positive — but if he's dead and his brother is here...]


Abbie?

[His voice is weak, almost childish, as he approaches. He's scared it's him, for what that might mean. Someone killed him...someone in his brother's house...there aren't many conclusions to be drawn, right?

He hopes it's a hallucination. Not real. This place drawing on his insecurities and fears to make them real. Please don't be real.]